Internal references
Cai, J., Denby, B. Roussel, P. Dreyfus; G., Crevier-Buchman, L. (2012) “Application of an Ultrasound-Based Silent Speech Interface to the French Language for Normal and Post-Laryngectomy Speakers”. 13th Interspeech, Portland, Oregon, USA.
Crevier-Buchman L., Laccourreye, O., Wuytz, F.L., Monfrais-Pfauwadel, M.C., Pillot, C., Brasnu, D. (1998) Comparison and evolution of perceptual and acoustic characteristics of voice after supracricoid partial laryngectomy with cricohyoidoepiglottopexy. Act. Otol. 118 (4): 594–99.
Crevier-Buchman L, Gendrot C, Denby B, Pillot-Loiseau C, Roussel P, Colazo-Simon A, Dreyfus G. “Articulatory strategies for lip and tongue movements in silent versus vocalized speech” 17th International Congress on Phonetic Sciences (ICPhS) 2011, Hong Kong, China.
Crevier-Buchman L., Amelot, A., Al Kork, S.L., Adda-Decker, M.; Audibert, N., Chawah, P., Denby, B., Fux, T., Jaumard-Hakoun, A., Roussel, P., Stone, M., Vaissière, J., Xu, K., Pillot-Loiseau, C. (2015) Acoustic Data Analysis from Multi-Sensor Capture in Rare Singing, International Journal of Heritage in the Digital Era, 4(1), 121–132.
d'Alessandro C., Rilliard A., & Le Beux S., (2011) Chironomic stylization of intonation, J. Acoust. Soc. Am., 129(3), 1594–1604.
d’Alessandro C., Feugère L., Le Beux S., Perrotin O., & Rilliard A. (2014) Drawing melodies: evaluation of chironomic singing synthesis, J. Acoust. Soc. Am. 135(6), 3601–3612.
Denby, B., Cai, J., Roussel, P., Dreyfus, G., Crevier-Buchman, L., Pillot-Loiseau, C., Hueber T., Chollet, G. (2011) “Tests of an interactive, phrasebook-style, post-laryngectomy voice-replacement system” 17th International Congress on Phonetic Sciences (ICPhS) 2011, Hong Kong, China
Delalez S. & d’Alessandro C. (2017) Adjusting the Frame: Biphasic Performative Control of Speech Rhythm. In Proc. of Interspeech, August 20-24, Stockholm.
Delalez S. & d’Alessandro C. (2017). Vokinesis: syllabic control points for performative singing synthesis. In Proc. of New Interfaces on Musical Expression Conference, May 15-19, Copenhagen.
Evrard, M., Delalez, S., d'Alessandro, C., & Rilliard, A. (2015). “Comparison of Chironomic Stylization versus Statistical Modeling of Prosody for Expressive Speech Synthesis”, Proc. Interspeech, pp. 3370−3374.
Feugère L., d’Alessandro C., Doval B., & Perrotin O. (2017) Cantor Digitalis: Chironomic Parametric Synthesis of Singing, EURASIP Journal on Audio, Speech, and Music Processing, 2017:2.
Kocjančič-Antolík,T.,Pillot-Loiseau,C.,Kamiyama,T.(2019).Theeffectivenessofreal-timeultrasoundvisual feedback on tongue movements in L2 pronunciation training: Japanese learners improving the French vowel contrast /y/-/u/, Journal of Second Language Pronunciation, 5(1), 72-97.
Kouklia, C., Audibert, N. (2017). Relationships Between Speech Timing and Perceived Hostility in a French Corpus of Political Debates. Proceedings of Interspeech 2017, 899-903.
Perrotin O., & d'Alessandro C. (2016) Seeing, listening, drawing: Interferences between Sensorimotor Modalities in the use of a Tablet Musical Interface, ACM Trans. on Applied Perception, 14(2).
Pillot-Loiseau, C., & Xie, H. (2018) Transfert rythmique du Chinois Mandarin au français dans l’apprentissage du français Langue Étrangère : acoustique et perception, 6ème Congrès Mondial de Linguistique Française (CMLF 2018), Université de Mons, July 9-13, 1–15.
Xiao, X., Locqueville, G. d'Alessandro, C. Doval, B. (2019) T-Voks: Controlling Singing and Speaking Synthesis with the Theremin, Proceedings of the International Conference on New Interfaces for Musical Expression, NIME’19, June 3-6, 2019, Porto Alegre, Brazil.
Xiao X., Delalez S., Kleinberger R., & d'Alessandro C., (2019) Learning L2 Mandarin Tone Production using Performative Speech Synthesis: a Pilot Study, preprint, submitted.
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