Références internes
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Delalez S. & d’Alessandro C. (2017) Adjusting the Frame: Biphasic Performative Control of Speech Rhythm. In Proc. of Interspeech, August 20-24, Stockholm.
Delalez S. & d’Alessandro C. (2017). Vokinesis: syllabic control points for performative singing synthesis. In Proc. of New Interfaces on Musical Expression Conference, May 15-19, Copenhagen.
Evrard, M., Delalez, S., d'Alessandro, C., & Rilliard, A. (2015). “Comparison of Chironomic Stylization versus Statistical Modeling of Prosody for Expressive Speech Synthesis”, Proc. Interspeech, pp. 3370−3374.
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Kocjančič-Antolík,T.,Pillot-Loiseau,C.,Kamiyama,T.(2019).Theeffectivenessofreal-timeultrasoundvisual feedback on tongue movements in L2 pronunciation training: Japanese learners improving the French vowel contrast /y/-/u/, Journal of Second Language Pronunciation, 5(1), 72-97.
Kouklia, C., Audibert, N. (2017). Relationships Between Speech Timing and Perceived Hostility in a French Corpus of Political Debates. Proceedings of Interspeech 2017, 899-903.
Perrotin O., & d'Alessandro C. (2016) Seeing, listening, drawing: Interferences between Sensorimotor Modalities in the use of a Tablet Musical Interface, ACM Trans. on Applied Perception, 14(2).
Pillot-Loiseau, C., & Xie, H. (2018) Transfert rythmique du Chinois Mandarin au français dans l’apprentissage du français Langue Étrangère : acoustique et perception, 6ème Congrès Mondial de Linguistique Française (CMLF 2018), Université de Mons, July 9-13, 1–15.
Xiao, X., Locqueville, G. d'Alessandro, C. Doval, B. (2019) T-Voks: Controlling Singing and Speaking Synthesis with the Theremin, Proceedings of the International Conference on New Interfaces for Musical Expression, NIME’19, June 3-6, 2019, Porto Alegre, Brazil.
Xiao X., Delalez S., Kleinberger R., & d'Alessandro C., (2019) Learning L2 Mandarin Tone Production using Performative Speech Synthesis: a Pilot Study, preprint, submitted.
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